50 Years of Art and Objecthood edited by Alison Green and Joanne Morra (Vol. 16, No. 1, April 2017)
Alison Green and Joanne Morra
Introduction: 50 Years of ‘Art and Objecthood’: Traces, Impact, Critique
Stephen Melville
‘Art and Objecthood,’ Philosophy
Margarita Tupitsyn
From Black Square to Room Square
Phoebe von Held
Brecht’s Anti-Theatricality? Reflections on Brecht’s Place in Michael Fried’s Conceptual Framework
Daniel Rubinstein
Failure to Engage: Art Criticism in the Age of Simulacrum
Joanne Morra
On Use: Art Education and Psychoanalysis
Victor Tupitsyn
Fried avec Debord: Theatricality by Default
Alison Green
‘A Supreme Fiction’: Michael Fried and Art Criticism
Duncan White
An ‘Automatic Escape’ or a ‘Beautiful Question’? Cinema and Experimental Film after Michael Fried’s ‘Art and Objecthood’
