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	<title>Journal of Visual Culture</title>
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	<link>http://www.journalofvisualculture.org</link>
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		<title>Now! Visual Culture, NYU, 31st May &#8211; June 2nd, 2012</title>
		<link>http://www.journalofvisualculture.org/2012/05/now-visual-culture-nyu-31st-may-june-2nd-2012/</link>
		<comments>http://www.journalofvisualculture.org/2012/05/now-visual-culture-nyu-31st-may-june-2nd-2012/#comments</comments>
		<pubDate>Tue, 01 May 2012 21:04:17 +0000</pubDate>
		<dc:creator>Marquard Smith</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=378</guid>
		<description><![CDATA[
Following on from the pleasures of the 2010 Visual Culture Studies conference organized by the Institute for Modern and Contemporary Culture and hosted at University of Westminster, the International Association for Visual Culture&#8217;s first biennial conference will be taking place at NYU from May 31st &#8211; June 2nd.
Contributors include:
Dena Al-Abeeb, Safet Ahmeti, Katherine Behar, Wafaa [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.journalofvisualculture.org/wp-content/uploads/2012/05/Visual-Culture_rev2.jpeg"><img src="http://www.journalofvisualculture.org/wp-content/uploads/2012/05/Visual-Culture_rev2.jpeg" alt="Visual-Culture_rev" title="Visual-Culture_rev" width="415" height="640" class="alignnone size-full wp-image-384" /></a></p>
<p>Following on from the pleasures of the 2010 Visual Culture Studies conference organized by the Institute for Modern and Contemporary Culture and hosted at University of Westminster, the International Association for Visual Culture&#8217;s first biennial conference will be taking place at NYU from May 31st &#8211; June 2nd.</p>
<p>Contributors include:</p>
<p>Dena Al-Abeeb, Safet Ahmeti, Katherine Behar, Wafaa Bilal, Maxime Boidy, Shane Brennan,  Giuliana Bruno, Lisa Cartwright, Jill Casid, Dean Chan, Alexandra Chang, Patty Chang, Hazel Clark, Wendy Hui Kyong Chun, Beth Coleman, David Darts, Craig Dietrich, Ellen Esrock, Jessica Freedman, GB Tran, Bernard Dionysius Geoghegan, Jennifer Gonzalez, Jaleen Grove, Elizabeth Guffey, Raiford Guins, Gary Hall, Natalie Jeremijenko, Alexandra Juhasz, Elizabeth Koslov, Max Liljefors, Mark Little, Kevin Matz, Meerkat Media Collective, Keith Miller, Nicholas Mirzoeff, W.J.T. Mitchell, Naeem Mohaiemen, Stephen Monteiro, Tara McPherson, Sina Najafi, Lisa Nakamura, Amy Ogata, the OWS Student Debt Campaign, Trevor Paglen, Amanda du Preez, Martha Rosler, Joan A. Saab, Marquard Smith, Landon van Soest, Marita Sturken, Francesca Martinez Tagliavia, Thomas Tsang, Magda Szczensniak, Diana Taylor, Oyvind Vagnes, Carlin Wing, Jason Wing, McKenzie Walk, and Joanna Zylinska.</p>
<p>So it should be pretty decent.</p>
<p>You can find out more information on the conference here:</p>
<p>http://www.visualculturenow.org/</p>
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		<item>
		<title>‘Now! Visual Culture’ at NYU from May 31-June 2, 2012</title>
		<link>http://www.journalofvisualculture.org/2012/03/%e2%80%98now-visual-culture%e2%80%99-at-nyu-from-may-31-june-2-2012/</link>
		<comments>http://www.journalofvisualculture.org/2012/03/%e2%80%98now-visual-culture%e2%80%99-at-nyu-from-may-31-june-2-2012/#comments</comments>
		<pubDate>Thu, 08 Mar 2012 22:50:57 +0000</pubDate>
		<dc:creator>Marquard Smith</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=375</guid>
		<description><![CDATA[‘Now! Visual Culture’ at NYU from May 31-June 2, 2012
Featuring: 
*One Dozen Lightning Talks on the future of the field
*Workshops on multi-media software and film
*Open discussions on debt, academic publishing and interdisciplinarity
*Graduate student forum and a general assembly
*Practice, performance and diasporic art
Participants include: Safet Ahmeti, Giuliana Bruno, Wafaa Bilal, Jill Casid, Patsy Chang, Wendy Hui [...]]]></description>
			<content:encoded><![CDATA[<p>‘Now! Visual Culture’ at NYU from May 31-June 2, 2012</p>
<p>Featuring: </p>
<p>*One Dozen Lightning Talks on the future of the field<br />
*Workshops on multi-media software and film<br />
*Open discussions on debt, academic publishing and interdisciplinarity<br />
*Graduate student forum and a general assembly<br />
*Practice, performance and diasporic art</p>
<p>Participants include: Safet Ahmeti, Giuliana Bruno, Wafaa Bilal, Jill Casid, Patsy Chang, Wendy Hui Kyong Chun, Beth Coleman, Jennifer Gonzalez, Raiford Guins, Gary Hall, Max Liljefors, Mark Little, Tara McPherson, Nicholas Mirzoeff, W.J.T. Mitchell, Lisa Nakamura, Paul Pfeiffer, Amanda du Preez, Martha Rosler, Joan Saab, Marquard Smith, Sina Najafi, Øyvind Vågnes, McKenzie Wark, Jason Wing, Joanna Zylinska, and many more</p>
<p>Full event details are at http://www.visualculturenow.org</p>
<p>As you may know, at the 2010 Visual Culture Studies Conference held at University of Westminster in London, a decision was taken by those in attendance to constitute an International Association for Visual Culture. In 2011, at a follow-up meeting at the Clark Art Institute in Williamstown MA, a group delegated from that conference set the process of forming the Association in motion and decided to hold a participatory conference in New York in 2012. The goal of the 2012 conference is to showcase as broad and diverse a range of visual culture practice as possible, consistent with the goal of a low-registration, high-participation event.</p>
<p> There can only be a relatively limited number of delegates both for space reasons (only certain spaces can be used cost-free at NYU) and to create a strongly interactive conference experience. These sessions will take place at 20 Cooper Square, New York, 10003 in the Humanities Initiative space, a beautifully designed space overlooking the architectural drama of the Bowery.</p>
<p>On the website you will find a registration form: please consider registering!</p>
<p>Why does the event have a registration fee of $50 for faculty and $25 for students?</p>
<p>1) we have no supporting body so all costs have had to be covered<br />
2) Much of the amount will be ‘given back’ in the coffee, lunch and receptions<br />
3) Given the limited space, a small registration seemed appropriate as a means of committing</p>
<p>From Nicholas Mirzoeff, organizer</p>
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		<title>&#8216;Now! Visual Culture&#8217; at NYU, May 31-June 2, 2012, the second biennial conference of the International Association for Visual Culture</title>
		<link>http://www.journalofvisualculture.org/2012/02/now-visual-culture-at-nyu-may-31-june-2-2012-the-second-biennial-conference-of-the-international-association-for-visual-culture/</link>
		<comments>http://www.journalofvisualculture.org/2012/02/now-visual-culture-at-nyu-may-31-june-2-2012-the-second-biennial-conference-of-the-international-association-for-visual-culture/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 22:18:29 +0000</pubDate>
		<dc:creator>Marquard Smith</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=372</guid>
		<description><![CDATA[http://www.visualculturenow.org/itinerary/
“Now! Visual Culture” is a participation event, to be held at New York University, May 31-June 2 2012. The goal is to showcase as broad and diverse a range of visual culture practice as possible in order to create a snapshot of the field of visual culture as it is currently practiced from Cape Town [...]]]></description>
			<content:encoded><![CDATA[<p>http://www.visualculturenow.org/itinerary/</p>
<p>“Now! Visual Culture” is a participation event, to be held at New York University, May 31-June 2 2012. The goal is to showcase as broad and diverse a range of visual culture practice as possible in order to create a snapshot of the field of visual culture as it is currently practiced from Cape Town to California.</p>
<p>At the 2010 Visual Culture Studies Conference in London, a decision was taken to constitute an International Association for Visual Culture. A key principle was that the Association should ask as little as possible financially from its members while involving as many people as possible in decision making. This is the first event organized under this platform.</p>
<p>By the end of the event, delegates will have both experienced and created the transformation of the field from an interaction of cinema studies and art history (as it was in the 1990s) to the present intersection of Web 2.0, iconology, contemporary art practice, and critical visuality studies.</p>
<p>The event is structured so that all delegates will attend a single stream of sessions to create a strongly interactive conference experience. The event begins with 15×5 minute lightning talks on the state of the field by people ranging from postdocs to professor emeritus.</p>
<p>There are eight sessions following, organized by people in a variety of locations, including the Visual and Cultural Studies Program at the University of Rochester, the Brooklyn Filmmakers Collective, the Alliance for Networking Visual Culture and the Diasporic Asian Art Research group. Each session will be independently organized in keeping with the horizontal ethics of the Association.</p>
<p>Particular time slots have a hands-on workshop, film screenings, panel discussions or a combination of the above.</p>
<p>Current session themes include:</p>
<p>a workshop with Scalar, a born-digital multi-media authoring platform<br />
the role of design in globalization<br />
new media coverage of the Occupy Wall Street movement<br />
Asian diaspora art practices<br />
practice in and as visual culture<br />
a graduate student forum<br />
the general assembly of the International Association for Visual Culture<br />
keynote ‘listeners’ and talkback<br />
Lots of time for networking and enjoying New York, with receptions every night, a gallery exhibition of online and material work, and maybe a late-night shenanigan or two!</p>
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		<title>&#8216;Other Markets&#8217;, architecture and visual culture at UC San Diego, 16th-17th Feb</title>
		<link>http://www.journalofvisualculture.org/2012/02/other-markets-architecture-and-visual-culture-at-uc-san-diego-16th-17th-feb/</link>
		<comments>http://www.journalofvisualculture.org/2012/02/other-markets-architecture-and-visual-culture-at-uc-san-diego-16th-17th-feb/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 22:16:48 +0000</pubDate>
		<dc:creator>Marquard Smith</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=369</guid>
		<description><![CDATA[Our friends at Vienna University of Technology/Department of Visual Cultures, Goldsmiths, will be in San Diego with their international research project &#8216;Other Markets: Networked Ecologies in 21st Century Urban Transformation&#8217; on February 16th-17th. If you find yourself in La Jolla, pop into UC San Diego for fascinating discussions on informal markets, community activism, and urban [...]]]></description>
			<content:encoded><![CDATA[<p>Our friends at Vienna University of Technology/Department of Visual Cultures, Goldsmiths, will be in San Diego with their international research project &#8216;Other Markets: Networked Ecologies in 21st Century Urban Transformation&#8217; on February 16th-17th. If you find yourself in La Jolla, pop into UC San Diego for fascinating discussions on informal markets, community activism, and urban transformation. Details below:</p>
<p>The Center for Urban Ecologies and the Center on Global Justice at UC San Diego, and the FWF Science Fund research project ‘Other Markets’ present</p>
<p>INFORMAL MARKET WORLDS</p>
<p>an international research forum on the trading places of urban informality </p>
<p>Thursday, February 16, 2012, 10am-7pm<br />
Friday, February 17, 2012, 10am-7pm</p>
<p>at Calit2 Auditorium, Atkinson Hall<br />
University of California San Diego</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>A two-day event of presentations and discussions, &#8216;Informal Market Worlds&#8217; will bring together research on the architecture and visual culture of informal markets with a range of case studies from across the Americas and beyond. In addition to input from theorists in the fields of urbanism and political economy, the meeting will include presentations by architects, artists and activists on a range of markets such as the La Salada market in Buenos Aires, the Tri Border Area of Ciudad del Este, the Dominican border markets, street markets in the US or the informal economies of El Tepito in Mexico City.</p>
<p>Informal markets have emerged as a vital part of cities around the world, from the new mega-cities of the Global South to the old centers of political and economic power. Spurred by deregulation and accelerating global flows, they are commonly tolerated as shock-absorbers of widening social divisions. Yet, whenever these markets show signs of establishing realms of their own official rhetoric paints them as threat to social and economic order, often followed by governmental actions of demolition, re-location or privatization.</p>
<p>Debating the spatial culture of informal markets as an arena of negotiation between multiple political demands, social actors and environmental constraints, &#8216;Informal Market Worlds&#8217; departs from the question of how we can build more equal participation in the space of economy vis-à-vis the economy of space. In what ways can the spatial practices and cultural mechanisms that sustain informal markets help us in articulating progressive policies more adapt to the transnational realities of today&#8217;s populations?</p>
<p>Speakers include:<br />
Raul Cardenas, Teddy Cruz, Julian D’Angiolillo, Laurent Gutierrez, Alfonso Hernandez, Hou Hanru, Rick Lowe, Peter Mörtenböck, Helge Mooshammer, Alfonso Morales, Gerald Murray, Valerie Portefaix, Fernando Rabossi, Ananya Roy, Ignacio Valero, Matias Viegener, Cog-nate Collective and others.</p>
<p>This research gathering at UCSD is part of an itinerant series of conferences world-wide and will be followed by meetings in Hong Kong/Shanghai (fall 2012) and Istanbul (spring 2013). Outcomes of these gatherings will be published in an atlas and a textbook by NAi Publishers, Rotterdam in 2013.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>For a detailed program please refer to: www.othermarkets.org</p>
<p>This event is free and open to the public.<br />
No registration required.</p>
<p>Supported by<br />
UCSD – Visual Arts Department &#038; Calit2<br />
Goldsmiths College London<br />
FWF Science Fund </p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>The Center for Urban Ecologies, CUE, at UCSD has been recently co-founded by Teddy Cruz and Kyong Park, seeking new critical interfaces between top-down urban policies and bottom-up community activism, while enabling new forms of public culture through urban pedagogy and the visualization of socio-political and economic processes. CUE is affiliated with the Division of Arts and Humanities and Visual Art Department. Because it just began operations, there is currently no accessible website. For more information, though, CUE was responsible for The Political Equator 3, an itinerant event across the San Diego-Tijuana border: www.politicalequator.org</p>
<p>The international research project &#8216;Other Markets: Networked Ecologies in 21st Century Urban Transformation&#8217; investigates the architectures and cultural logics of informal markets as a decisive yet often overlooked theatre of urban transformation. By engaging directly with the modalities of spatial production of informal economies it seeks to expand the debate currently divided along the question whether informal structures are first and foremost the low-cost equivalent of global deregulation or whether they provide the space for the emergence of alternative social formations. ‘Other Markets’ is led by Helge Mooshammer and Peter Mörtenböck, based at Vienna University of Technology and Goldsmiths College, London and is funded by the FWF Science Fund. For further information please visit the project website: www.othermarkets.org</p>
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		<title>Call for papers: Ecologies of the Visual, Trondheim, 6-7 September</title>
		<link>http://www.journalofvisualculture.org/2012/01/call-for-papers-ecologies-of-the-visual-trondheim-6-7-september/</link>
		<comments>http://www.journalofvisualculture.org/2012/01/call-for-papers-ecologies-of-the-visual-trondheim-6-7-september/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 14:39:54 +0000</pubDate>
		<dc:creator>Marquard Smith</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=367</guid>
		<description><![CDATA[Call for papers: Ecologies of the Visual
The Third Visual Culture in Europe Meeting, Trondheim, 6-7 September 2012
Contributions are invited which address the relationship between ecology and visuality in the broadest sense. On the one hand several discourses have come to revolve around what Susan Sontag described in On Photography as an ecology of images, a [...]]]></description>
			<content:encoded><![CDATA[<p>Call for papers: Ecologies of the Visual</p>
<p>The Third Visual Culture in Europe Meeting, Trondheim, 6-7 September 2012</p>
<p>Contributions are invited which address the relationship between ecology and visuality in the broadest sense. On the one hand several discourses have come to revolve around what Susan Sontag described in On Photography as an ecology of images, a perspective which raises both epistemological and ethical questions concerning our interactions with the image. On the other hand there are presently several indications of a pressing need for the field of visual culture studies to address what we might call the visualities of ecology, or the place of environmental issues in contemporary visual culture. Topics may include but are by no means limited to:</p>
<p>Images and Ethics // “Ecology” as a Metaphorical Nexus in Visual Studies // Visual Culture within and without the Ecology of Disciplines // Consumerism and Visual Culture/The Visual Culture of Consumerism // Climate Change in/and Visual Culture // The Rhetorics of Environmentalism in Media and/or Art // Apocalyptic Narratives in Visual Culture</p>
<p>To submit a proposal for a paper presentation, please email an abstract of approximately 200 words to the conference organisers, Nina Lager Vestberg (nina.vestberg@ntnu.no) and Øyvind Vågnes (ov@nomadikon.net), by 7 March 2012.</p>
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		<title>Free JVC: The Machinima Issue</title>
		<link>http://www.journalofvisualculture.org/2011/11/free-jvc-the-machinima-issue/</link>
		<comments>http://www.journalofvisualculture.org/2011/11/free-jvc-the-machinima-issue/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 00:58:10 +0000</pubDate>
		<dc:creator>Marquard Smith</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=361</guid>
		<description><![CDATA[Journal of Visual Culture
The Machinima Issue – Free for you to access until 31st December 2011
Simply click here to access the content of this Themed Issue
]]></description>
			<content:encoded><![CDATA[<p>Journal of Visual Culture</p>
<p>The Machinima Issue – Free for you to access until 31st December 2011</p>
<p>Simply c<a href="http://vcu.sagepub.com/content/10/1.toc">lick here</a> to access the content of this Themed Issue</p>
]]></content:encoded>
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		<title>Forthcoming highlights in Journal of Visual Culture&#8230;</title>
		<link>http://www.journalofvisualculture.org/2011/10/forthcoming-highlights-in-journal-of-visual-culture/</link>
		<comments>http://www.journalofvisualculture.org/2011/10/forthcoming-highlights-in-journal-of-visual-culture/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 19:04:49 +0000</pubDate>
		<dc:creator>Marquard Smith</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=356</guid>
		<description><![CDATA[Contributions to forthcoming open issues include:
Emmanuel Alloa on Visual Studies in Byzantium, David Cunningham on the Metropolis; Willem Flusser on the gesture of photographing, Tom Holert on Bildwissenschaft, Esther Leslie on liquid crystals, Lev Manovich on visualization, Lynda Nead on boxing, Jacques Ranciere on cinema, Nicole Starosielski on transoceanic cables, Janet Wolff on the power [...]]]></description>
			<content:encoded><![CDATA[<p>Contributions to forthcoming open issues include:</p>
<p><strong>Emmanuel Alloa</strong> on Visual Studies in Byzantium, <strong>David Cunningham</strong> on the Metropolis; <strong>Willem Flusser</strong> on the gesture of photographing, <strong>Tom Holert</strong> on Bildwissenschaft, <strong>Esther Leslie</strong> on liquid crystals, <strong>Lev Manovich</strong> on visualization, <strong>Lynda Nead</strong> on boxing, <strong>Jacques Ranciere</strong> on cinema, <strong>Nicole Starosielski </strong>on transoceanic cables, <strong>Janet Wolff</strong> on the power of images,<strong> Winnie Wong</strong> on appropriation in Chinese visual culture.</p>
<p>Forthcoming themed issues include:</p>
<p>In 2012</p>
<p>Ways of Seeing: 40 Years On, with contributors including: Mieke Bal, Jon Bird, Lisa Cartwright, Jill H. Casid, Hazel Clark, Laurie-Beth Clark, Mike Dibb, Jennifer Gonzalez, Dick Hebdige, Richard Hollis, Elizabeth Guffey, S. Heller, Ben Highmore, Martin Jay, Guy Julier, Louis Kaplan, Peter Lunenfeld, Tara McPherson, Marita Sturken, Griselda Pollock, Adrian Rifkin, Vanessa Schwartz, and Ming Wong.</p>
<p>In 2013:</p>
<p>The Archives R Us issue, with contributors including: Raiford Guins, Gary Hall, Chris Horrocks, Tom Holert, Juliette Kristenesen, susan pui san lok, Joanne Morra, Hans-Ulrich Obrist, Vivian Rehberg, Marquard Smith, and Nina Lager Vestberg</p>
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		<title>The second biennial International Association for Visual Culture conference, NYC, May 31-June 2, 2012. See flyer attached</title>
		<link>http://www.journalofvisualculture.org/2011/10/the-second-biennial-international-association-for-visual-culture-conference-nyc-may-31-june-2-2012-see-flyer-attached/</link>
		<comments>http://www.journalofvisualculture.org/2011/10/the-second-biennial-international-association-for-visual-culture-conference-nyc-may-31-june-2-2012-see-flyer-attached/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 08:27:42 +0000</pubDate>
		<dc:creator>Marquard Smith</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=352</guid>
		<description><![CDATA[Flyer NVC1-2
The second biennial International Association for Visual Culture conference:
&#8216;Now! Visual Culture&#8217;
May 31-June 2, 2012
20 Cooper Square, 5th Floor, New York, NY, 10012
See the flyer attached.
Email: nm45@nyu.edu
More details forthcoming in the weeks to come at: http://www.journalofvisualculture.org/blog/
]]></description>
			<content:encoded><![CDATA[<p><a href='http://www.journalofvisualculture.org/wp-content/uploads/2011/10/Flyer-NVC1-2.docx'>Flyer NVC1-2</a></p>
<p>The second biennial International Association for Visual Culture conference:</p>
<p>&#8216;Now! Visual Culture&#8217;</p>
<p>May 31-June 2, 2012</p>
<p>20 Cooper Square, 5th Floor, New York, NY, 10012</p>
<p>See the flyer attached.</p>
<p>Email: nm45@nyu.edu</p>
<p>More details forthcoming in the weeks to come at: http://www.journalofvisualculture.org/blog/</p>
]]></content:encoded>
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		<item>
		<title>On &#8216;Acts of Translation&#8217;</title>
		<link>http://www.journalofvisualculture.org/2011/09/on-acts-of-translation/</link>
		<comments>http://www.journalofvisualculture.org/2011/09/on-acts-of-translation/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 10:11:19 +0000</pubDate>
		<dc:creator>SPSL</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Special Issue]]></category>
		<category><![CDATA[fine art]]></category>
		<category><![CDATA[translation]]></category>
		<category><![CDATA[Visual Culture]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=339</guid>
		<description><![CDATA[

&#8220;This special issue of the Journal of Visual Culture is a remarkable and much needed addition to the critical analysis and development of translation as a metaphor for creative acts and products. [...] I can wholeheartedly recommend &#8216;Acts of Translation&#8217; to anybody interested in the critical engagement with cultures, whether historical or contemporary, visual or [...]]]></description>
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<h2 style="padding-left: 30px;">&#8220;This special issue of the <em>Journal of Visual Culture</em> is a remarkable and much needed addition to the critical analysis and development of translation as a metaphor for creative acts and products. [...] I can wholeheartedly recommend &#8216;<a href="http://www.journalofvisualculture.org/free-editorials/" target="_self">Acts of Translation&#8217;</a> to anybody interested in the critical engagement with cultures, whether historical or contemporary, visual or linguistic. It deserves to become an essential reference in departments of visual culture, fine art, art history and, importantly, also translation studies.&#8221;</h2>
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<h3 style="padding-left: 30px;"><strong> Katja Krebs, <a href="http://www.tandfonline.com/doi/abs/10.1080/14781701003647491" target="_blank">Translation Studies</a>, May 2010</strong></h3>
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		<title>Free Download: Obama as Icon by W.J.T. Mitchell</title>
		<link>http://www.journalofvisualculture.org/2011/06/free-download-obama-as-icon/</link>
		<comments>http://www.journalofvisualculture.org/2011/06/free-download-obama-as-icon/#comments</comments>
		<pubDate>Thu, 30 Jun 2011 13:32:01 +0000</pubDate>
		<dc:creator>SPSL</dc:creator>
				<category><![CDATA[JVC Announcement]]></category>
		<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Special Issue]]></category>
		<category><![CDATA[mitchell]]></category>
		<category><![CDATA[obama as icon]]></category>

		<guid isPermaLink="false">http://www.journalofvisualculture.org/?p=329</guid>
		<description><![CDATA[W.J.T. Mitchell&#8217;s article, &#8216;Obama as Icon&#8217; originally appeared in The Obama Issue, Journal of Visual Culture, August 2009 (v.8, n.2), pp.125-129. Click here for your free copy
Other contributors to the special issue were:
Shawn Michelle Smith, Dora Apel, Raimi Gbadamosi, Rajagopalan Radhakrishnan, Toby Miller, Jacqueline Bobo, Julian Myers et al, Lauran Berlant, Marita Sturken, Lisa Cartwright [...]]]></description>
			<content:encoded><![CDATA[<p>W.J.T. Mitchell&#8217;s article, <em>&#8216;Obama as Icon&#8217;</em><span> originally appeared in <a href="http://vcu.sagepub.com/content/8/2.toc" target="_blank"><em>The Obama Issue</em></a>, <em>Journal of Visual Culture</em>, August 2009 (v.8, n.2), pp.125-129. Click <a href="http://vcu.sagepub.com/cgi/reprint/8/2/125?ijkey=zMpDzNebHM/RI&amp;keytype=ref&amp;siteid=spvcu&amp;utm_source=eNewsletter&amp;utm_medium=email&amp;utm_campaign=1J22 " target="_blank">here</a> for your free copy</span></p>
<p>Other contributors to the special issue were:</p>
<p style="padding-left: 30px;">Shawn Michelle Smith, <span>Dora Apel, Raimi Gbadamosi, Rajagopalan Radhakrishnan, Toby Miller, Jacqueline Bobo, Julian Myers et al, Lauran Berlant, Marita Sturken, Lisa Cartwright and Stephen Mandiberg, John Armitage and Joy Garnett, Victor Margolin, Joanna Zylinska, Gayatri Chakravorty Spivak, Anna Everett, Julian Stallabrass, Ellis Cashmore, John Carlos, Rowe, Robert Harvey, Curtis Marez, Cynthia A. Young, Nicholas Mirzoeff.</span></p>
]]></content:encoded>
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